Kathryn Nuernberger
Kathryn Nuernberger
Kathryn Nuernberger is the author of the poetry collections, RUE, The End of Pink and Rag & Bone. She has also written the essay collections Brief Interviews with the Romantic Past and The Witch of Eye (forthcoming in 2021). Her awards include the James Laughlin Prize from the Academy of American Poets, an NEA fellowship, and “notable” essays in the Best American series. She teaches in the MFA program at University of Minnesota.
QUEEN OF BARREN, QUEEN OF MEAN, QUEEN OF LACED WITH IRE
If a woman dreams of lace, it is said,
she will be happy in the realization
of her most ambitious desires
and lovers will bow to her edicts.
There were two Annes – the one who dreamed of lace
and the one who dreamed of waxen seals, as there are two
Queen Anne’s Laces – the one with the purple dot at its center
like a needle prick of spilled blood, which is edible wild carrot,
and the one with no dot, stalk spackled in purple like Socrates’
blood, it is said, though he spilled no blood when he was
executed by hemlock, which is non-edible wild carrot
also blooming in an upturned face of white blossoms.
Carrots, it was said, are such an aphrodisiac Caligula amused himself
by feeding the court nothing but, then watched them rut like animals.
When I lived in that lonely place, I bought a field guide to learn the name
of every flower. There were not many to learn, stitched as I was to a field
between a cascade of crop-dusted corn on the left and an ocean of soy
on the right. Where there might have been poppies and cornflowers
and honey bees needle-pointing the rows, only Queen Anne’s Lace
was hardy enough to make a kingdom out of such long-barren dirt.
My ire at these impossible, 7-dusted acres.
My ire at the billboards with ultrasounds as big
as a cloud floating over the rows of copyrighted
beans, irrigated so green.
When everything on a tract is alive and buzzing, a fallow field
will bloom one medicine after another. If you look them up
in Culpepper’s guide or Pliny’s, almost all in leaf or seed or stem,
some small dose or a large one, will “provoke the menses,”
as the euphemism goes. When everything is alive, there is never
a week when the soil does not offer you some kind of choice.
When I lived in that lonely place I thought I’d turn to
Rousseau, who understood so well what we give up
in exchange for the social contract, who wrote the great
treatises on romanticism and democracy from his place
in exile. Rousseau, I thought, my antidote to this minister
who does his abstinence-only counseling for teenage
girls and pep talks the boys on Godly masculinity just
one diner table over. If you knew how many times
I’ve heard, “Our Lord is a jealous lover.”
But he is also Rousseau who dumped his bastard children
in an orphanage. Rousseau who had no care for what
the social contract did to the women he took as lovers
and then left as lovers. Rousseau who goes on and on
about breastfeeding and natural motherhood like a man
who has no idea. Had Rousseau written his botanical letters
to me, his “dear and patient lady,” with the tedious thought
experiment of teaching a “most willing pupil” to visualize
the flowers through written language alone – “After you have
looked over my letter once or twice, an umbellate plant
in flower will not escape you” – I would have been too eager
to agree with his post-script. “The meanest kitchen-maid
will know more of this matter than we with all our learning.”
In describing the umbellate Queen Anne’s Lace in flower,
a maid would not have forgotten to mention that crimson
dot at the center calling the bracid wasp to his favorite
pollenatrix. This drop, it is said, the queen pricked from
her own finger on the spindle of her perfect lace. A drop
that slips from a kitchen-maid when the great philosopher
returns from the prairie of his letters to the greener pasture
of her idealized womanhood. A maid would not have forgotten
the mark by she knows which umbelliferous queen stops
your heart and which one sets it beating once more.
It is said the queens upset the cows’ milk if they founder
on too much lace. It is said the queens upset the sheep’s
digestion, but watch the hoofed beasts and see how they know
after a miscarriage to graze the medicine of those leaves.
At the end of the season the blossoms turn brown and brittle
and close in on themselves like a bird’s nest. The meanest
maid knows this is when you gather your clumps of seeds.
No one writes down what the kitchen-maids say, so no one
is anymore sure whether you drink them only after sex
or every day or when you are ovulating or for the full
two weeks between ovulation and menstruation. Some say
you must chew the seeds to release the tannins. Some say
drink them down in a glass of water. Some say it is a crime
to publish such information. Some say only that it is a liability.
Now in the laboratories of the minds of the great thinkers
they call it rumors and old wives tales. As if none of us
has ever needed an old wife. As if only fools would
allow themselves to turn into such wizened things.
There was Anne I who was known for making beautiful lace.
And there was Anne II who was known for her sixteen
miscarriages, four dead children, and slipshod petticoat
of a government. There was Anne I who employed subterfuge
and intrigue to manipulate the King’s policies. And there was
Anne II who had no king and no heir and no wars and hardly
even an account of discontent among the flourishing and well-fed
people. And yet what is said of her is only that she was Anne
the fat, Anne the constantly pregnant, Anne the end of her line.
My ire at the kingdom.
My ire at the kings.
My ire at the philosophers who think
they can just reinvent the world
inside the eye of their own minds.
What I want I want on terms as I dictate them.
My ire at my terms.
My ire at my impossible wanting.
That I can be no flower and be no field, my ire.
That there will be more castrated queens,
an endlace necklace of almost enough, my ire.
My ire, if you wait enough years, the field will finally grow.
If you wait years enough you will be long dead, my ire.